This episode includes references to violence, sexual violence, abuse and suicide. It also contains a lot of spoilers.
This episode we talk about feminism in horror films, with discussion of some feminist horror films you could watch to survive this second, yet more horrifying, lockdown.
We explore some different feminist perspectives in horror films, including films with more realistic psychological points about women’s oppression, like the Babadook, as well as some sillier films like Teeth, with its focus on sexuality, rape, revenge and liberation. We discuss Sophie Lewis on the horrors of the patriarchal family and the search for less oppressive forms of belonging in Midsommar. We talk about how feminist themes in horror have changed and developed and what it could all mean. Finally we discuss how the new physical and mental horrors created by the fusion of life and work in the world of AI, big tech monopolies and liberal feminism can be found in Possessor, a new film by Brandon Cronenbourg, continuing in the same body-horror vein (pun intended) as father David Cronenbourg.
‘The Satanic Death-Cult Is Real’ by Sophie Lewis